A welcome bit of news just came to my attention so I thought it might be nice to pass it on here. Robert Wise’s noir-tinged western Blood on the Moon (which I wrote about here a good few years ago) has been announced as coming from the Warner Archive in April. From the Warner Archive Facebook page:
New 2020 1080p master from 4K scan of original camera negative!
BLOOD ON THE MOON (1948)
Run Time 93:00
Subtitles English SDH
Audio Specs MONO – English, DTS HD-Master Audio 2.0 – English
Aspect Ratio 1.37:1, 4 X 3 FULL FRAME
Product Color BLACK & WHITE
Disc Configuration BD 50
Extra Content: Theatrical Trailer (SD)
Director Robert Wise is at the helm as Robert Mitchum, Robert Preston, and Barbara Bel Geddes star in this taut Western thriller about a gunslinging drifter who realizes he’s been hired to be a villain. Out on the Texas frontier, Jim Garry (Mitchum) rides into town, quickly getting caught in a simmering confrontation between homesteaders and cattle ranchers. After accepting employment from an old mercenary friend, Tate Riling (Preston), Garry comes to realize that Riling has been manipulating the tensions between rancher John Lufton (Tom Tully) and the local settlers in a bid to swindle the Luftons out of their livestock. Garry becomes torn between his conscience and his greed until he finds himself falling for John Lufton’s daughter, the formidable Amy (Bel Geddes). Soon, the two old friends will face off in a bloody showdown from which only one will leave alive. Based on the novel Gunman’s Chance by Luke Short.
A brief request here. Someone just contacted me in relation to Sam Fuller’s feature debut I Shot Jesse James, which I wrote about over a decade ago, to see if I could help. What it amounts to is this – the guy says his late stepfather was one Robert W Gardner, who maintained he was a writer on Fuller’s movie. The man has been dead since the 1960s and the online links seem to point to a different Robert Gardner, someone who was directing films into the 1980s.
Anyway, my correspondent is seeking information and has hit a brick wall so I thought I might as well throw the question out there on the off chance any of the visitors to the site, and some of you are very well informed, can shed light on this.
One of the great names among film noir directors has to be Robert Siodmak, a man who made a series of hugely impressive pieces of dark cinema throughout the 1940s. The first of those stylish and influential works was Phantom Lady, which I wrote about here some years ago. It’s satisfying to see this film now getting a very attractive release on Blu-ray in the UK via Arrow Academy.
- High Definition Blu-ray (1080p) presentation transferred from original film elements
- Uncompressed Mono 1.0 PCM audio soundtrack
- Optional English subtitles for the deaf and hard of hearing
- Dark and Deadly: 50 Years of Film Noir, an insightful archival documentary featuring contributions from Robert Wise, Edward Dmytryk, Dennis Hopper and more
- Rare, hour-long 1944 radio dramatization of Phantom Lady by the Lux Radio Theatre, starring Alan Curtis and Ella Raines
- Gallery of original stills and promotional materials
- Reversible sleeve featuring two original artwork options
FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by author Alan K. Rode
I’m delighted to see listings appearing online for a new Blu-ray/DVD combo release for Fritz Lang’s 1954 film Human Desire. I reckon this is an underrated movie and am pleased to see UK boutique label Eureka including it in their Masters of Cinema line in February. It’s a welcome follow up to their January slate of Laura and Hush… Hush, Sweet Charlotte.
Dearly beloved, we are gathered here today to pay our respects to the detective fiction novel Halfway House (1936) written by Manfred Lee and Frederic Dannay under their Ellery Queen nom de plume. As the title suggest, there will be spoilers — lots and lots of spoilers, so only proceed if you’ve done the necessary pre-reading…
via #446: Spoiler Warning 8 – Halfway House (1936) by Ellery Queen — The Invisible Event
Yes, things have been a little quiet here of late, mainly due to a rather packed work schedule and other tedious matters. Hopefully, I’ll get back to at least semi-regular posting when things feel a little less hectic. In the meantime though, I want to take the time to flag up a collaborative effort my blogging buddy JJ of The Invisible Event invited me to take part in. Read on…
As part of his ongoing investigations into the wonders, intricacies and delights of classic detective fiction, JJ has hosted a number of spoiler heavy discussions on a range of notable works. I’ve enjoyed reading along and adding the odd comment when I thought I could sneak one in as unobtrusively as possible amid a lot of well-informed contributions from people who are far better read than I, and so it was very flattering to be asked to participate in one myself!
Anyway, to cut to the chase, next Saturday, if all goes well, should see JJ posting the chat he and I had about the 1936 Ellery Queen novel Halfway House, as announced here. I’ll put up a link here when it goes live, but wanted to flag it up in advance for anyone interested in perusing our back and forth.
So, see you soon…
A recent viewing and post on Kiss the Blood Off My Hands reminded me that the only major Burt Lancaster noir title still unavailable in a decent edition was 1948’s I Walk Alone. Happily though, Kino Lorber in the US have just posted on Facebook that the title is due out on DVD and Blu-ray in the summer:
• Coming this Summer!
• First Time on DVD and Blu-ray!
• Brand New HD Master – From a 4K Scan of the 35mm Safety Dupe Negative by Paramount Pictures Archive!
• First Film Co-starring Burt Lancaster and Kirk Douglas (The Gunfight at O.K. Corral, The Devil’s Advocate, Seven Days in May, Tough Guys)
I Walk Alone (1947) Starring Burt Lancaster, Kirk Douglas, Lizabeth Scott, Wendell Corey, Kristine Miller, Marc Lawrence and Mike Mazurki – Shot by Leo Tover (The Day the Earth Stood Still, Dead Reckoning) – Music by Victor Young (Johnny Guitar, Around the World in Eighty Days) – Edited by Arthur P. Schmidt (Sunset Boulevard, The Blue Dahlia) – Produced by Hal B. Wallis (Casablanca, The Maltese Falcon) – Screenplay by Charles Schnee (The Bad and the Beautiful, They Live by Night) – Adaptation by Robert Smith (Sudden Fear, Quicksand) and John Bright (Public Enemy, She Done Him Wrong) – Directed by Byron Haskin (The War of the Worlds, Too Late for Tears)
FIVE TALL TALES: BUDD BOETTICHER & RANDOLPH SCOTT AT COLUMBIA, 1957-1960
THE TALL T (1957)
DECISION AT SUNDOWN (1957)
BUCHANAN RIDES ALONE (1958)
RIDE LONESOME (1959)
COMANCHE STATION (1960)
Release date: 21 May 2018
Limited Blu-ray Edition (Blu-ray premieres)
Five classic, iconic and slyly subversive westerns collected on Blu-ray for the very first time. Containing a selection of new and archival extras – including interviews with director Budd Boetticher and an appreciation by film critic Kim Newman – this collectable five-disc box set also contains an 80-page book with newly commissioned essays, archival interviews and full credits, and is strictly limited to 6,000 units.
INDICATOR LIMITED BLU-RAY EDITION SPECIAL FEATURES:
• 2K restoration of Ride Lonesome
• HD restorations of The Tall T, Decision at Sundown, Buchanan Rides Alone and Comanche Station
• Original mono audio
• The John Player Lecture with Budd Boetticher (1969): archival audio interview conducted by Horizons West author Jim Kitses at the National Film Theatre, London
• The Guardian Interview with Budd Boetticher (1994): an extensive filmed interview conducted by film historian David Meeker at the National Film Theatre, London
• Budd Boetticher on the Ranown Cycle (1999): excerpts from Eckhart Schmidt’s documentary Visiting… Budd Boetticher
• Kim Newman on the Ranown Cycle (2018): an appreciation and analysis by the critic and author of Wild West Movies
• The Guardian Interview with Elmore Leonard (1997): the celebrated author, and writer of the short story upon which The Tall T is based, in conversation at London’s National Film Theatre
• Original theatrical trailers
• Ride Lonesome trailer commentary (2013): a short critical appreciation by filmmaker John Sayles
• Comanche Station trailer commentary (2014): a short critical appreciation by screenwriter Sam Hamm
• Image galleries: extensive promotional and on-set photography, poster art and marketing materials
• Limited Edition exclusive 80-page book containing newly commissioned essays by Pamela Hutchinson, Glenn Kenny, James Oliver, Neil Sinyard and Farran Smith Nehme, archival interviews with director Budd Boetticher and screenwriter Burt Kennedy, a critical anthology, and full film credits
• World Blu-ray premieres of The Tall T, Decision at Sundown, Buchanan Rides Alone and Ride Lonesome
• UK Blu-ray premiere of Comanche Station
• Limited Edition Box Set of 6,000 numbered copies
• …AND MORE TBC
• All extras subject to change
Wonderful news about some films which cannot be praised highly enough! This set can be ordered direct from the distributor here. If anyone is unfamiliar with the films and wants a quick overview, here are some pieces I wrote after the DVD release some years ago:
The Tall T
Buchanan Rides Alone
Decision at Sundown
No, I haven’t decided to transform this place into a restaurant review site. The “house” I’m referring to here is the Hollywood studio, and the question is which one, or ones, we are most partial to.
While all of the major studios, and most of the minor ones too, made movies in every conceivable genre in their heyday, they tended to have their own characteristic or in-house style, not to mention the films they either specialized in or seemed to do more successfully. Warner Brothers gave us the better gangster films of the 30s and retained that grit and social awareness even as time moved on and the range of output expanded. MGM was gloss, glitz and musical spectaculars. And although RKO had Astaire & Rogers, it also turned out some of the most memorable films noir. Of course different decades brought different directions and developments, and 20th Century Fox with its pioneering of the Scope format, took the production of the epic to a whole new level in the 50s.
For me though, my favorite of the classic era studios is possibly Universal; this is something I’ve lately settled on though, and I’m well aware that my preferences may shift again in the future. Anyway, for now at least, Universal is the one. Why? Well, there is the wonderful horror cycle running from the 30s through to the mid-40s, and then the Rathbone/Bruce Sherlock Holmes movies that borrowed those old sets and a touch of the macabre sensibility too. Then there were the budget-conscious noir and crime movies that were so common in the 40s and 50s, so many of which are now neglected and half-forgotten. And let’s not forget the Universal-International period, those marvelous years when some of the most visually attractive and thematically rich westerns seemed to be constantly on tap.
So there it is. Do you have a studio you’re happiest visiting? Is there one whose output appeals more, or does it vary from decade to decade?
Just been made aware of this event in February (with a follow-up scheduled for the summer) which highlights the restoration of the Republic Pictures library. Some of the names featured, and indeed the studio itself, will be well known and equally well regarded by regular visitors to this site. For instance, there’s Frank Borzage, George Sherman, Allan Dwan, Joe Kane, William Witney and others. Sounds great – more here.